Three company dancers will rise to Pittsburgh Ballet Theatre’s highest rank at the start of the coming ballet season. PBT Artistic Director Terrence S. Orr has promoted Hannah Carter, Alejandro Diaz and Luca Sbrizzi to principalfor the company’s 2016-2017 Season, which opens Oct. 28-30, with Giselle.
Newly promoted PBT Principal Luca Sbrizzi recently took over Yelp Pittsburgh's Instagram to give followers a peak into the studio as the company prepares for the pirate saga Le Corsaire, onstage April 15-17, at the Benedum Center. Le Corsaire gives male dancers a special spotlight and features explosive leaps and turns. Check out a recap of Luca’s action-packed day behind the scenes:
Three company dancers will rise to Pittsburgh Ballet Theatre’s highest rank at the start of the coming ballet season. PBT Artistic Director Terrence S. Orr has promoted Hannah Carter, Alejandro Diaz and Luca Sbrizzi to principal for the company’s 2016-2017 Season, which opens Oct. 28-30, with Giselle.
Four Distinct Choreographers Showcased on One Ticket
PBT’s Mixed Repertory #2 features four distinctive works by four diverse choreographers, whose lifetimes span a century. Anthony Tudor’s Jardin Aux Lilas (Lilac Garden), Michael Smuin’s Eternal Idol, James Kudelka’s TheMan in Black, and Yoshiaki Nakano’s A Fellow Feeling move audiences through a spectrum of emotions.
It’s a bright March morning, and PBT Principal Yoshiaki Nakano has come to the final movement of his new ballet.
Winter sun streams through the skylights, sending shafts of light across the sprung studio floors. In the quiet moments before rehearsal Nakano stands before the mirror, sketching shapes with his arms and contemplating the effect of the movement that he’s been holding in his mind’s eye.
Artistic Director Terrence S. Orr on Teaching Tudor
It all begins with a sharp intake of breath.
Close your eyes, and imagine a garden framed by fragrant lilac branches. The air is sweet with their perfume, yet heavy with emotional tension. The era is Victorian – and the societal conventions are stifling.
Here, “Caroline, on the eve of her marriage to the man she does not love, tries to say farewell to her lover at a garden reception.”
Antony Tudor’s Jardin Aux Lilas (Lilac Garden) is a study in subtlety, in repressed emotions and inner turmoil.
In James Kudelka's The Man in Black, four dancers - three male, one female - move through a montage of poetic images inspired by six poignant cover songs Johnny Cash recorded in the later years of his career. Here, three of these dancers offer a montage of thoughts and song lyrics that help inspire this journey.
PHOTO BY: BOB SHOMLER | ARTISTS: MARJORIE GRUNDVIG & LEE BELL
Michael Smuin (1938-2007) was a brilliant dancer, choreographer and theatre director. Throughout his career, he took home Emmy, Tony and Drama Desk awards, danced and choreographed for American Ballet Theatre, co-directed San Francisco Ballet for over 10 years and launched his own company, Smuin Ballet, which lives on in San Francisco.
In the world of ballet, true love knows no bounds. It shatters curses and penetrates enchanted slumbers. It can strike by a moonlit lake, in a forest glen, through a dream. Prince Siegfried saw his love in a swan. Giselle’s love literally followed her to the ends of the earth.
Even beyond the classical canon, love doesn’t stop at the stage. For these three couples, ballet launched their true-life love stories.