25-26 Seaon
Adam W. McKinney and Barbara Bears Discuss Their Experiences Performing Three Preludes
Pittsburgh Ballet Theatre (PBT) will perform Three Preludes as part of America 250 with the PBT Orchestra, February 20-22, 2026, at the Benedum Center.
This internationally award-winning work was created by Ben Stevenson, O.B.E., in 1969 and is performed to selections of Sergei Rachmaninoff’s “Preludes.” This romantic pas de deux centers on two dancers who fall in love while dancing in a ballet studio. The three movements develop in both speed and intensity as the dancers’ emotions evolve into passion.
Both PBT’s artistic director, Adam W. McKinney, and rehearsal director, Barbara Bears, have performed this work as dancers. Adam performed it during his time at Milwaukee Ballet, and Barbara performed it while dancing with Houston Ballet. We asked them to discuss what it is like to perform this classic ballet.
When and where have you performed Three Preludes?
Adam: I performed Three Preludes with Tatiana Jouravel-Malinkine at Milwaukee Ballet.
Barbara: I performed Three Preludes with Mark Arvin when I was in the Corps de Ballet at Houston Ballet around 1990 or 1991. I performed it every few years after that until I retired and even staged it once.
What was the experience like?
Adam: Learning and performing Three Preludes left an impression on me. Ben so effortlessly crafted the choreography to fit the music, making the movement circulate through the body; every moment seemed to hang on Rachmaninoff’s every note. The learning process was not easy. I recall that, during the first week of learning the ballet, because my muscles were so sore, I started our daily barre with a heating pad plugged into the wall socket next to my barre spot. For the male character, the partnering work relies heavily on strength, ensuring that the female has the freedom to extend past the limits of what she can do herself. For me, that is the essence of partnering — how far can we push the boundaries together as a unit? How can we express, expand together?
What was the most challenging part of the ballet?
Adam: The most challenging part of the ballet for me was transitioning from the second movement to the third movement. I remember being in the wings and being disoriented by the energy we had amassed — the pianist and us together. The lights rose, and Tatiana and I whisked each other onstage. It was a beautiful (and funny!) moment.
Barbara: It’s 13 minutes long, with three pas de deux, so you just don’t stop dancing the entire work. It also feels very intimate, and you need to convey the emotions realistically as a person, not dramatically, so it takes a bit of an emotional toll.
Where does it rank on your list of favorite ballets you have performed?
Adam: Three Preludes, of all pas de deuxs that I have danced, definitely ranks high on my list. It is a ballet that stands on its own and can be excerpted as well (as we have done for PBT’s annual outdoor performance, “Ballet Under the Stars” at Hartwood Acres), which speaks to the genius of Ben’s choreography — simple, beautiful, not over-adorned, real.
Barbara: I love the simplicity of Three Preludes. I enjoy performing it, and it is a sentimental ballet for me, but I always have difficulty ranking my favorites.
What is it about Three Preludes that makes it special and memorable?
Barbara: The narrative of the experience of first love and falling in love across a room is so romantic. People can relate to it because almost everyone has fallen in love. The audience gets interested in the story and wants to see what happens. It is not flashy, but rather memorable and emotional.
Why did you select it as part of America 250 with the PBT Orchestra?
Adam: Three Preludes was Ben’s first ballet that he created in the U.S. The ballet, in many ways, speaks to the important work of non-U.S. residents in our country and their impact on our society through arts and culture. It was important for me to highlight Ben’s work to represent and honor the work of immigrants in this way.
Barbara: I recommended it to Adam because it is simple and PBT has not performed it before. Adam and I both enjoyed dancing it, so it seemed like a good fit.
Additional Photos of Barbara Bears performing Three Preludes with Houston Ballet
Paul Taylor’s Company B
PBT Brings the Excitement and Trepidation of the 1940s to the Benedum in Company B
Company B, a nostalgic and poignant tribute to the World War II era choreographed by the renowned Paul Taylor, will be performed by Pittsburgh Ballet Theatre as part of America 250 with the PBT Orchestra. This production will take place at the Benedum Center from February 20 through 22, 2026.
A few weeks ago, PBT was joined by Paul Taylor Company repetiteur, Patrick Corbin, who staged the dance with PBT artists. Corbin was a dancer with the Paul Taylor Dance Company beginning in 1989. Company B, one of Paul Taylor’s seminal works, was the first production in which he danced with them. He performed the solo role of Johnny in “Oh Johnny, Oh, Johnny, Oh!” Corbin sat down with us to discuss the ballet, its background and the meanings and inspirations behind it.
The original production of Company B, which premiered on June 21, 1991, was commissioned by the John F. Kennedy Center for the Performing Arts and the Houston Ballet. The ballet skillfully conveys not only the exuberance of the 1940s but also weaves the dances with images of soldiers leaving for World War II, many of whom would never return. Taylor seamlessly blends popular 1940s social dances—including the jitterbug, lindy and polka—with his signature modern dance style to create this emotional ballet.
According to Corbin, Paul Taylor typically created one “light” dance and one “dark” dance each year. This was the first work in which he combined light and dark elements. The ballet builds with a dynamic of rising action, peak and falling action, bookended by the same song, creating different emotions. Initially, Taylor wanted the choreography to be solely his trademark modern style, but as the piece developed, swing and jazz elements were naturally incorporated to fit the music. The overall work incorporates a variety of dances, including ensemble pieces featuring the entire cast, solos, pas de deux and smaller groups. The work consists of 10 sections, each set to a different Andrews Sisters song:
- Bei Mir Bist du Schön (opening)
- Taylor uses this ensemble dance as both the opening and closing numbers of Company B. They are both ensemble sections. The opening part builds slowly, introducing dancers in silhouette as memories from the mist come to life.
- Pennsylvania Polka
- This enthusiastic duet examines American exceptionalism and excitement at home during the 1940s, set against a backdrop of war and soldiers dying.
- Tico-Tico
- This is a fast-paced, high-energy solo that appears lighthearted, but has darker undertones about a soldier with PTSD and wartime stress trying to keep it together.
- Oh Johnny, Oh Johnny, Oh!
- This upbeat number features a male lead, Johnny, surrounded by adoring women. Johnny is a man who has avoided going to war (possibly by faking an injury, according to Corbin). He is sexy and fun and the women love him. He is also a bit of a womanizer and an overall not-so-great guy.
- I Can Dream, Can’t I?
- This is a solo about a woman longing for a soldier stationed overseas, while he finds comfort in the arms of another soldier. This look at intimacy during wartime pushed the limits of gay roles when Taylor created it more than 35 years ago. Taylor was inspired by a photo of Judy Garland looking lovingly at Clark Gable.
- Joseph! Joseph!
- This is a playful song with women chasing after men that ends more somberly with a woman grieving over a man’s body. Taylor’s formal choreographic prowess is especially evident in this piece. Corbin considers this the choreographic heart of Company B.
- Boogie Woogie Bugle Boy (of Company B)
- This carefree solo features an all-American poster boy soldier who dances happily until he is suddenly and violently shot and killed at the end of the dance. It highlights the dangers and vulnerabilities soldiers face in wartime.
- Rum and Coca-Cola
- Inspired by the musical South Pacific, this dance features a sassy young Caribbean prostitute and a group of soldiers drawn to her.
- There Will Never Be Another You
- Taylor romanticizes loss in this haunting duet, featuring a woman dancing with the ghost of her partner, who died in the war. She dances with memories of what her life could have been, evoking deep reflection and nostalgia. Corbin considers this the moral center of Company B, emphasizing its emotional depth.
- Bei Mir Bist du Schön (finale)
- The closing number begins with an explosion onstage, representing the nuclear bombs dropped on Japan. It indicates that the world has forever changed. It has shifted from joyful idealism to a somber reflection on loss. The characters from the previous dances begin to leave the stage, showing that it is only a memory, until only the “bugle boy” remains.
About Paul Taylor
Paul Taylor (1930-2018) was one of the most accomplished artists this nation has ever produced. He established the Paul Taylor Dance Company in 1954, serving as both a virtuoso performer and a trailblazing choreographer until 1974, when he turned exclusively to choreography. During his 64-year career as a dancemaker, Mr. Taylor helped define and shape the art of American modern dance through a matchless repertoire of 147 works with an extraordinary range of subject matter. One of the world’s leading dance organizations, the Paul Taylor Dance Company is based in New York City and has vast international reach. Under the artistic direction of Michael Novak, who has taken the Company in bold new directions over the past seven years, it continues to innovate, create and transform.
Artists of Pittsburgh Ballet Theatre | Photography: Justin Merriman
The Magic Behind The Might Casey Costumes
Pittsburgh Ballet Theatre will perform The Mighty Casey from February 20-22, 2026, as part of America 250 with the PBT Orchestra. In 1990, PBT collaborated with Performing Arts for Children to create a new ballet based on the famous baseball poem, “Casey at the Bat.” Told in flashback, the story depicts Casey, who famously struck out in Mudville in 1888, redeeming himself 20 years later.
The Mighty Casey costumes are some of the many that former Pittsburgh Ballet Theatre Costumier Janet Groom Campbell created in her 40 years in the role. In more than 200 productions, Campbell has brought to life the visions of countless costume designers and conceptualized and created her own designs for ballets such as The Mighty Casey.
Costumes must be designed to enhance choreography, accommodate movement and withstand constant body contact and quick changes. They must move with the choreography, but still flatter a dancer’s form; yield to partnering, but spring back to shape; appear rich and delicate, but withstand years of alterations and upkeep to be cost-effective for a ballet company.
We asked Janet Groom Campbell to discuss what it was like creating costumes for this iconic baseball ballet.
What was your inspiration for The Mighty Casey costumes?
My first inspiration when designing a ballet is the music the dancers will perform to. In The Mighty Casey, the score was being composed while the costumes were being built. I knew some of the music used in the production was by John Philip Sousa and Stephen Foster, so I listened to that.
I also need to go back in time to the ballet’s period to get a feel for the era. We had two time periods in The Mighty Casey – 1888, based on the poem “Casey at the Bat,” and 1908, based on the poem “Casey – 20 Years Later.” I visited the Carnegie Library and researched the periods and how baseball was addressed during those times. During those time periods, baseball games usually took place in the afternoon. Attending the games was a family affair, and people dressed up. I saw videos of men wearing topcoats and fedoras to the games, and women in dresses, hats and gloves. The catching mitts were more like padded gloves. We made them for the ballet even though they were props.
How did developing these costumes differ from other costumes you have created?
There was considerable excitement about creating The Mighty Casey for PBT in 1990. It was a brand-new ballet for the company. There was strong camaraderie across the PBT team. Every weekend, there was a softball game—a really wonderful time to be at the ballet.
We created separate costumes for the two time periods in the ballet: 1888 and 1908.
- Ladies: In 1888, typical attire included a petticoat, blouse, skirt, jacket, bustle and small hat. In 1908, during the Gibson Girl period, women removed their jackets and bustles and wore larger hats.
- Mudville & Bugville Baseball Teams: The Mudville team uniform consisted of a shirt, pants, collar, belt, bow tie, red socks, an M for Mudville, black jazz shoes and a striped hat. For the Bugville team in 1908, we removed the collar, bow tie and M, and changed the hats to solid red. We made the red hat so it would be period-correct. All hats available at the time had a half-moon in the back to indicate they were modern.
- Rival Baseball Teams: The other nine uniforms in 1888 featured a blue-striped hat and a shirt laced up the front; they also wore blue pants, a belt, blue socks, and black jazz shoes. For 1908, we changed their hats to solid blue and added a front placket to their shirts.
- Children: The little boys wore jackets (removed for 1908), shirts, pants, dark socks and jazz shoes. The little girls wore dresses, tights, hats and ballet slippers. In 1908, one little girl removed her pinafore, and another took off her hat.
- Betsy: Betsy wore a beautiful dress, a belt with a bow, a petticoat, bloomers, pink tights with white feet, white pointe shoes and a straw hat with pink satin trim, flowers and a pink satin bow in the back. In 1908, we removed the bow from her belt and put on a pink silk dupioni coat with trim down the front. We also changed her hat to a straw hat with ostrich feathers and a dove, and added a pink bow.
- Casey: Casey wore the striped uniform for Mudville in 1888, and in 1908, he wore a brown tweed suit, a cream shirt and his red socks. At first, I wanted to have him change his socks, but Lisa (de Ribere, choreographer) and I talked, and she decided to have him wear the socks because it looked like he never took them off, because he was so in love with the game of baseball.
Was one of the costumes your favorite?
I think that my favorite costume was Betsy’s. It was the most beautiful, embroidered organza, and I loved watching that pretty pink bow on the back of her hat dancing along. Betsy was loving, loyal, cute, supportive and she stood by Casey through all the ups and downs of his career.
When you build costumes, how closely do you typically work with the choreographer?
I have always respected choreographers and have done everything I could to deliver what they wanted. I always felt that they were hired to create a great ballet, and their wish was my command. Nothing was ever too hard, too expensive or too time-consuming. I always felt that the more I thought about a ballet, the better the costumes came out. Once I started a new ballet, it was all I thought about until opening night.
What aspects are important to include in costume designs for ballets?
Costumes for the ballet must always enhance every movement of the dancer. They have to fit better than any other costumes. Skirts have to be full circles. Sleeves must be fitted, but not restraining. Lines should be perfect and complementary to movement. Costumes must be comfortable and reliable, with no broken zippers, bent hooks or popped buttons. I always wanted the dancers to look perfect and not worry about anything onstage but their performance.
What is the process of creating a ballet costume?
I sketch and swatch the costume, then pattern, cut and stitch it. I then fit it onto the dancer and alter it as needed. I watch it in rehearsal to see how it moves, then modify it accordingly. After the performance, I clean it, determine the best storage method and inventory it, along with all accessories. I also create a costume “bible” for each production that details how to care for, wear, and alter the costume.
The Mighty Casey is underwritten by the David & Janet Campbell Family Foundation in honor of Janet Groom Campbell.
America 250 with the PBT Orchestra Casting Announced
Pittsburgh Ballet Theatre has announced casting for its upcoming performances of America 250 with the PBT Orchestra. The program is an ode to America’s 250th anniversary, which includes four stunning classical and contemporary works. The family-friendly program featuring Americana-themed ballets will take place at the Benedum Center February 20-22, 2026. The ballets in the program include the fun-filled baseball ballet, The Mighty Casey; George Balanchine’s patriotic and jubilant classical ballet Stars and Stripes Pas de deux; Company B, Paul Taylor’s nostalgic and bittersweet ode to the American Dream with music by The Andrews Sisters; and Ben Stevenson’s romantic Three Preludes about two dancers who fall in love, featuring Rachmaninoff’s beautiful score. From big-band rhythms to star-spangled flair, this dynamic program will feature exhilarating, emotional music performed live by the PBT Orchestra.
The Mighty Casey Casting
Three Preludes Casting
Stars and Stripes Casting
Company B Casting
Artists of Pittsburgh Ballet Theatre | Photography: Justin Merriman
What Makes George Balanchine’s Stars and Stripes Special?
As part of America 250 with the PBT Orchestra, Pittsburgh Ballet Theatre will perform the Pas de Deux from George Balanchine’s opulent Stars and Stripes. Performances will run from February 20 through the 22 at the Benedum Center.
Balanchine, a Russian-born dancer/choreographer, is regarded as the most influential choreographer of classical ballet in the United States. He is often called the “Father of American Ballet” due to his influence in paving the way for ballet to flourish in America. He is credited with developing the neo-classical style distinct to the 20th century and is well known for his modern yet classical, clean aesthetic. His trademarks include lighter costumes, minimal decor, faster movements, challenging choreography and plotless ballets. Balanchine is credited with creating 465 ballets, which have been performed by nearly every ballet company worldwide.
10 Interesting Facts About Stars and Stripes:
- Stars and Stripes premiered on January 17, 1958, at the City Center of Music and Drama in New York City.
- George Balanchine choreographed this patriotic, classical ballet as a tribute to his beloved adopted country, the United States of America. Balanchine immigrated from Russia in 1934. He loved American culture and he was extremely proud to become an American citizen.
- Stars and Stripes contains as much pure dancing in 29 minutes as many full-length classical ballets include in 2-3 hours.
- The work is divided into five sections or “campaigns,” each of which uses music from different Sousa marches. The first two campaigns are danced by all women, followed by an all-male campaign as the third section. The fourth campaign is a pas de deux, followed by the elaborate grand finale, “Stars and Stripes Forever.”
- Each grouping of dancers is considered a separate “regiment,” with distinct Americana-based costumes to differentiate the sections.
- Stars and Stripes has played roles in political and cultural moments in history. It has been performed for many memorable occasions, including Nelson Rockefeller’s inauguration as governor of New York, tributes for Presidents John F. Kennedy and Lyndon B. Johnson, the opening ceremonies for the New York State Theater at Lincoln Center, the end of the Iranian Hostage Crisis and the closing ceremony of the Olympics in Los Angeles in 1984.
- The ballet is dedicated to the memory of Fiorello H. LaGuardia, former mayor of New York City and founder of the City Center of Music and Drama.
- There is speculation that the ballet was used as propaganda to cast a positive light on the U.S. during the Cold War. The U.S. State Department even assisted in arranging the ballet’s overseas tour.
- This ballet has an exceptionally large cast of 41, including 27 women and 14 men. With such a large cast, this ballet is not as frequently performed from start to finish. Often, the fourth campaign (the pas de deux) is performed as a showcase piece in mixed rep bills or special events.
- Even though short in length, the choreography in Stars and Stripes is challenging, and the cast must have solid stamina and significant experience to produce this strong work.
Artists: Tommie Lin Kesten & Colin McCaslin | Photography: Justin Merriman
Behind the Scenes: Constructing 2 New Nutcracker Heads
The Nutcracker is a holiday classic filled with dazzling scenes, characters, and music. Essential to sharing Marie’s journey to the Land of Enchantment, is Pittsburgh Ballet Theatre’s (PBT) Costume Director Kristin McLain. For her, typical Nutcracker preparations include checking items for repairs, fitting and altering pieces for the upcoming cast, and re-creating items that are beyond restoration, like Nutcracker jackets, Snowflake sleeves, Marie dresses, and headpieces. This year, however, such tasks were joined by the construction of two new Nutcracker heads.
Originally made out of thermoplastic, a malleable material often used in the medical field for splints, PBT’s former Nutcracker head was flexible and able to accommodate movement. Mesh was placed over this foundation to allow for the painting of facial characteristics. It also came in two different skin colors, McLain explains; depending on the artist, it could be attached or detached from the head’s base. After many performances, however, the thermoplastic began to crumble, tasking the mesh with holding its cracked surface together. In response, McLain created another temporary version, one which broke down even quicker. “So then I thought, we just have to make a new one.”
To get started, recognizing that the piece needed to be breathable, McLain first constructed the head shape: a foundation of foam covered by mesh. Underneath, she attached a construction helmet with a lock and understrap, allowing for both security and stability. In addition to referencing the original head, McLain utilized her knowledge of bridges to aid her process. “Bridges have to be built to be able to move, because if they are too rigid, then that force just breaks down,” she shares. Applying this concept, she made the new head quite flexible. There is one scene in The Nutcracker where the Nutcracker grows below a sheet; Drosselmeyer removes this silky cover quickly for a dramatic reveal of the character. The head’s ability to move with the sheet allows it to stay on the dancer’s head as well.
McLain notes that plastic is baked into the mesh string, so that even when the material cracks a little bit, entire sections will not fall off because of this string network. On top of the mesh, to depict vibrant facial features, she used a combination of fabric, acrylic, and airbrush paint. With the addition of rosy cheeks and colorful red lips, the head springs to life. Even its eyes are painted on, as dancers look through the head’s mouth, she reveals.
McLain says that it was important for her to create two Nutcracker heads with two different skin colors. As there are people of color in these roles, she explains, it only makes sense that the Nutcracker’s transition from human to toy maintains continuity. For example, “it shouldn’t be white toy turning into a non-white human.” But McLain also stresses the importance of representation, expressing that “if we’re going to cast someone in that role, that’s the first step. And then just to make sure that all of the costumes and accessories correspond to who’s wearing them, I think is important too.” In the future, she hopes to create a third Nutcracker head of another skin color.
Although constructed carefully to promote stability and security, the act of dancing with a large structure on top of one’s head remains unpredictable. Therefore, McLain had to finish the heads before a deadline, allowing enough time for the dancers to get accustomed to them in rehearsals. And she did. Embellished with makeup, gold accents on their collars, and flaunting extravagant hats, both Nutcracker heads are ready to be worn for upcoming rehearsals and performances.
The Nutcracker heads can be seen on stage at the Benedum Center until December 28th.
The Nutcracker 2025 Casting is Here!
Join PBT for Pittsburgh’s Favorite Holiday Tradition – The Nutcracker! Performances will take place Dec. 5-28, 2025 at the Benedum Center in Pittsburgh.
Follow Marie, her Nutcracker prince and hundreds of colorful characters for an unforgettable adventure through the sparkling snow and into the Land of Enchantment as you are swept into the most magical time of the year. The talented artists of Pittsburgh Ballet Theatre and Pittsburgh Ballet Theatre School perform all of the roles in this beloved production. We hope you can join us!
Friday, 12/5 @ 11 am – Student Matinee
Friday, 12/5 @ 7 pm Saturday, 12/6 @ 7 pm Saturday, 12/13 @ 2 pm Sunday, 12/21 @ 4:30 pm Saturday, 12/27 @ 7 pm
Saturday, 12/6 @ 2 pm Friday, 12/12 @ 7 pm Sunday, 12/14 @ 4:30 pm Sunday, 12/21 @ 12 pm Saturday, 12/27 @ 2 pm
Sunday, 12/7 @ 12 pm
Sunday, 12/7 @ 4:30 pm – Sensory-Friendly Performance
Saturday, 12/13 @ 7 pm
Sunday, 12/14 @ 12 pm
Friday, 12/19 @ 7 pm
Saturday, 12/20 @ 2 pm Friday, 12/26 @ 7 pm
Saturday, 12/20 @ 7 pm
Tuesday, 12/23 @ 7 pm
Sunday, 12/28 @ 12 pm
Photos: Aviana Adams
PBT Welcomes 20 Pittsburgh Celebrity Guest Stars to The Nutcracker
Pittsburgh Ballet Theatre (PBT) is thrilled to be joined by 20 Pittsburgh celebrity guest stars during this year’s The Nutcracker. During 17 performances, the guest stars will have walk-on roles during the prologue and the “Party Scene” in Act I. They will appear in performances during the production, which runs December 5-28 at the Benedum Center.
Having celebrity guest stars in cameo appearances has become a tradition for PBT’s The Nutcracker production. This year, the local celebrities range from local government officials and television stars to news anchors, sports stars and social media influencers. The Pittsburgh celebrities participating in guest star roles in The Nutcracker this year include:
- Charlie Batch (Fri., Dec. 5 @ 7 pm), Pittsburgh Steelers and Founder of Best of the Batch Foundation
- Latasha Wilson-Batch (Fri., Dec. 5 @ 7 pm), Executive Director of Best of the Batch Foundation
- Megan Shinn (Sat., Dec. 6 @ 2 pm), KDKA-TV Anchor and Reporter
- Corey O’Connor (Sat., Dec. 6 @ 7 pm), Allegheny County Controller & Pittsburgh Mayor-Elect
- Bonny Diver (Sat., Dec. 6 @ 7 pm), iHeart Radio Host, & Founder of Hair Peace Charities
- Jeremy Reynolds (Sun., Dec. 7 @ 12 pm), Pittsburgh Post-Gazette Critic and Journalist
- Chandi Chapman (Fri., Dec. 12 @ 7 pm), WTAE-TV Anchor and Reporter
- Victoria Vespico (Sat., Dec. 13 @ 2 pm), Miss Pennsylvania 2025
- Brooke Hyland (Sat., Dec. 13 @ 7 pm), Dance Moms
- Amanda Neatrour (Sun., Dec. 14 @ 4:30 pm), Mrs. Pennsylvania 2024
- Arjun Manjunath (Fri., Dec. 19 @ 7 pm), Social Media Content Creator
- Daisy Jade (Sat., Dec. 20 @ 7 pm), KDKA-TV “Pittsburgh Today Live” Reporter
- Perry Ninness (Sat., Dec. 20 @ 7 pm), Administrative Officer at UBS
- Sara Innamaroto (Sun., Dec. 21 @ 12 pm), Allegheny County Executive
- Frzy (Sun., Dec. 21 @ 4:30 pm), Musician
- Chloe Lukasiak (Tues., Dec. 23 @ 7 pm), Dance Moms
- Kendall Vertes (Fri., Dec. 26 @ 7 pm), Dance Moms
- Mary Ours (Sat., Dec. 27 @ 2 pm), KDKA-TV Meteorologist
- Lindsay Ward (Sat., Dec. 27 @ 7 pm), Pittsburgh Reporter and Content Creator
- Dr. Holly Hatcher-Frazier (Sun., Dec. 28 @ 12 pm), Dance Moms
*Please note that guest star appearances may be subject to change
PBT’s current version of The Nutcracker, choreographed and created by former PBT artistic director Terrence S. Orr, is the perfect fit for local celebrity appearances due to its special Pittsburgh-centered vibe. The Nutcracker includes more than 13 Pittsburgh connections – from Kennywood, the Kaufmann’s Clock and Shadyside to the Pittsburgh Pirates, Pittsburgh Penguins, Mount Washington, the Aviary and more. The distinctive Pittsburgh feel of this ballet makes it great fun to include Pittsburgh guest stars in walk-on roles – adding to the Pittsburgh flair!
Join PBT on this unforgettable adventure during the most magical time of the year.
Read more about The Nutcracker celebrity guests below:
Charlie Batch
Pittsburgh Steelers and Founder of Best of the Batch Foundation
Friday, December 5, 7:00 P.M.
Charlie Batch is an NFL quarterback, community advocate, author, media personality, entrepreneur, and professional speaker who takes his “Expect Your Best” message to audiences across the country. Charlie’s NFL career spanned 15 years, and in 2002, he joined the Pittsburgh Steelers as the backup quarterback and was instrumental in critical game wins that led the team to Super Bowl XL and XLIII. After his retirement, he has continued to be a respected strategist in the NFL, providing game commentary for national sports outlets, including CBS, FOX, NBC, ABC, ESPN, NFL Network, SiriusXM NFL Radio, and Yahoo! Sports.
In 1999, Charlie created the Best of the Batch Foundation, which gives Pittsburgh city kids a safe place to learn and grow. The Foundation offers numerous programs that teach kids life skills and help them succeed. He also serves on multiple non-profit boards to help improve the lives of others. A graduate of Steel Valley High School and a native of Homestead, PA, he has become widely known as a service leader who gives back to his hometown. Charlie resides in Pittsburgh with his wife, Latasha, and their five dogs.
Latasha Wilson-Batch
Executive Director of Best of the Batch Foundation
Friday, December 5, 7:00 P.M.
Latasha Wilson-Batch serves as the Executive Director of the Best of the Batch Foundation. Her leadership has helped spearhead the growth of the Batch Foundation, which reaches more than 3,300 boys and girls from financially challenged communities annually. She has also developed special programs for young girls and women with emphasis on education, sports, and fun. Latasha is a community advocate and motivational speaker. Honored by the National Association of Women Business Owners and the University of Pittsburgh Medical Center for Engagement and Inclusion, Ms. Wilson-Batch serves on several boards, in the Pittsburgh area and is currently Vice President in the Off The Field Players Wives Association, which raises funds for local and national charitable organizations with a focus on supporting children’s health and charities that strengthen families.
Latasha and her husband, Charlie Batch, have five four-legged kids: Roxie, Bunz, Snoop, Nate, and Aysia. They reside in the Pittsburgh area. Ms. Wilson-Batch recently completed her MS degree in Professional Counseling at Carlow University and is now pursuing her doctorate in psychology.
Megan Shinn
KDKA-TV Anchor and Reporter
Saturday, December 6, 2:00 P.M.
Megan Shinn is the morning weekend anchor and a weekday reporter at KDKA-TV. Before moving to Pittsburgh, Megan anchored the morning newscasts in Indianapolis, and launched a new evening show focused on in-depth, community-based stories. She covered everything from breaking news, to military homecomings, and the Indy 500. This has earned her an Emmy and an Edward R. Murrow Award. Her passion for news took off in Southern California where she earned a BFA in Television Broadcast Journalism from Chapman University. During college, she interned at top markets including KNBC and KCBS/ KCAL in Los Angeles; she also worked for ESPN3. One of her favorite college experiences was having circumnavigated the globe on “Semester At Sea.”
Megan is invested in the Pittsburgh community, and she loves cooking, hiking, and exploring her forever home with her husband, Mike.
Corey O’Connor
Allegheny County Controller & Pittsburgh Mayor Elect
Saturday, December 6 at 7:00 p.m.
A lifelong Pittsburgher, Corey O’Connor grew up in Squirrel Hill, attended East Hills Elementary, and earned his degree in early childhood education from Duquesne University. He began his career working on community development for Congressman Mike Doyle before entering public service himself.
Elected to Pittsburgh City Council in 2011, Corey represented District 5 for more than a decade, focusing on community revitalization, public health, and equity. His legislative achievements include authoring the City’s Paid Sick Days Act, advancing affordable housing, passing common-sense gun reforms, and securing record investments in early childhood education and neighborhood infrastructure.
In 2022, Corey was elected Allegheny County Controller, where he prioritized transparency, accountability, and fiscal responsibility. He led audits and investigations that exposed inefficiencies, uncovered unused public funds, and strengthened ethics and pension protections.
In 2025, Corey O’Connor was elected the 62nd Mayor of Pittsburgh. As Mayor-Elect, he is preparing to lead a city government focused on service, equity, and results — strengthening neighborhoods, improving delivery of city services, and building a more resilient and inclusive Pittsburgh for all residents.
He lives in Point Breeze with his wife, Katie, their two children, Molly and Emmett, and their dogs, Tippy and Nova.
Bonny Diver
iHeart Radio
Saturday, December 6, 7:00 P.M.
A cancer survivor for 22 years, Bonny Diver hosts the iHeart Radio podcast, Everybody Dies, which features inspiring stories from those encountering end of life. Additionally, she is a Morning Drive Traffic Reporter for 6 iHeart Radio Stations in Pittsburgh and has a streaming show on Music from the 412 called Bonny With A WhY.
Originally from Columbus, Ohio, Bonny moved to Pittsburgh in 1993. She was featured in Family Circle magazine as a “Survivor Making A Difference”, received the Komen Survivor of the Year Award (2010), and won two trophies from the March of Dimes Air-Awards.
Bonny is the Founder and Executive Director of Hair Peace Charities, providing financial assistance for women and girls to purchase wigs. Every afternoon, when done reporting traffic, she talks to cancer survivors. In her free time, Bonny loves walking her dog, Diego, and aims to attend at least one concert every week.
Jeremy Reynolds
Pittsburgh Post-Gazette Journalist
Sunday, December 7, 12:00 P.M.
Jeremy Reynolds is the classical music critic and cultural reporter at the Pittsburgh Post-Gazette.
A trained clarinetist, Reynolds now covers the performing arts in Pittsburgh and beyond for a range of publications including Symphony Magazine, OPERA America Magazine, Opera Magazine, Early Music America and more.
Reynolds also trained as a radio announcer in Syracuse, New York, and Dallas, Texas, where he served as a weekend host for the classical station WRR and as the national host for the broadcasts of the Fort Worth Symphony Orchestra.
Although he never studied ballet, Reynolds did earn a college scholarship from the Texas Square Dancing Academy. In his spare time, Reynolds is a fitness and performing arts enthusiast.
Chandi Chapman
WTAE-TV Anchor and Reporter
Friday, December 12, 7:00 P.M.
Chandi Chapman anchors Pittsburgh’s Action News 4 weekend evening newscasts and reports during the week. She is a New Castle native and University of Pittsburgh graduate who joined the WTAE team in 2017. Chandi has won several awards for her work, including multiple regional Emmys and two Edward R. Murrow awards. She has also been honored with two National Association of Black Journalist Salute to Excellence Awards and numerous Associated Press and state broadcast association awards, including Best TV Personality.
Chandi held positions in the industry that include anchoring, producing, editing, shooting, web producing and assignment desk duties. Chandi started her career at WTAE and has worked in various positions at stations in Ohio, South Carolina, Pennsylvania and Georgia before returning to Pittsburgh’s Action News 4. Outside of the newsroom, she enjoys cooking, traveling, volunteering in the community, watching mystery and comedy movies and having new adventures. She is active in the Junior Miss Program to help young girls shape their futures and loves practicing martial arts whenever she gets a chance. She resides in the Pittsburgh area with her family.
Victoria Vespico
Miss Pennsylvania 2025
Saturday, December 13, 2:00 P.M.
Victoria Vespico, 26, a native of Shavertown, was crowned Miss Pennsylvania 2025 on June 21st at the Appell Center in York. A proud graduate of Pennsylvania State University with a Bachelor of Arts in Corporate Communications, she is a sustainable development advocate and a three-time children’s book author. She is currently pursuing a Masters in Education at Wilkes University.
As Miss Pennsylvania, Victoria travels the state and Washington D.C. with her
community service initiative, “Sustainability Starts With You.” As the Founder and Executive Director of Sustainability Starts With You, she empowers people to embrace sustainability for future generations. Victoria encourages changing the world through #Simple Changes. Her mission is to inspire youth to lead with purpose and impact.
She is an author of three children’s books introducing young learners to sustainable
development concepts in an accessible way. The books are titled”Cows Are More
Than Milk”, “Bring a Bucket”, and “Sustainability Starts With You.”
She brings over 20 years of Girl Scouting experience to her mission of inspiring youth to be future leaders. She is currently part of the Communications team at America250PA, the Pennsylvania Commission for the celebration of the Semiquincentennial of the United States of America. Victoria was also named to Governor Shapiro’s Next Gen Advisory Committee. Victoria represented Pennsylvania in the Miss America Competition in September, where she brought her advocacy to a national stage.
Brooke Hyland
Dance Moms
Saturday, December 13, 7:00 P.M.
Brooke Hyland was born and raised in Pittsburgh, Pennsylvania. She is best known for her appearance as part of the original cast of “Dance Moms” from Seasons 1–4, where she was a dancer. She later attended Ohio University, where she studied business and put those learnings into practice. Today, she continues to grow her online presence as a social media personality while pursuing opportunities in lifestyle, entertainment, and entrepreneurship. After moving back to Pittsburgh a few years ago, she has loved reconnecting with the city, contributing to its growth, and becoming more involved in the community. In Brooke’s free time, you’ll find her trying a new restaurant or experience, spending time with friends, family, and her dog Jack, planning her 2026 wedding, taking a workout class, or cooking something fun in the kitchen.
Amanda Neatrour
Mrs. Pennsylvania 2025
Sunday, December 14, 4:30 P.M.
On April 14, 2024, Amanda Neatrour was crowned Mrs. Pennsylvania American 2024, and proudly represented the Commonwealth at the Mrs. American competition. As a caregiver to a mom with Alzheimer’s, Amanda worked alongside the Alzheimer’s Association, being recognized as a Community Leader to support efforts to raise awareness of the needs of caregivers of those living with Alzheimer’s, and advocating for greater societal and government support. As Mrs. Pennsylvania, Amanda spoke with state lawmakers about the impact of Alzheimer’s and Dementia on caregivers, has been a moderator for important community discussions, and was a speaker and performed the US National Anthem for the Pittsburgh Walk to End Alzheimer’s. Amanda also partnered with Healthy Start Pittsburgh, supporting efforts to further education on the impact of healthy parents and caregivers on the health and wellbeing of our babies.
As a community leader, Amanda served as an inaugural member of Pittsburgh’s Gender Equity Commission and as its Chair, advocating for a more equitable city, with a particular focus on pay equity. This year Amanda completed a term as a member of the Governor’s Advisory Commission on Women where she served as the Chair of the Aging sub-committee, and Spring 2025 Amanda was sworn in as a member of the Governor’s Advisory Committee for the Office of Alzheimer’s Dementia, and Related Disorders.
An opera singer and producer, in 2022 Amanda co-produced and starred in an all-woman, new production of Missy Mazzoli’s opera “Song from the Uproar” which was a project aimed at raising awareness of gender disparities in the performing arts. Amanda performed the starring role of Isabel just 7 weeks after giving birth to her second child and is the first Black woman to perform the lead role.
Amanda is an ACC certified coach, certified 200 hour Raja yoga instructor, and owner of Lewis Neatrour Group, a firm which supports leaders and organizations to align their actions and intent, with creating positive outcomes for a sustainable future. Amanda is a graduate of Howard University, and Robert Morris University. She is wife to Russell, mom to two beautiful boys, and dog mom to their rescue Maltese, Tiberius.
Arjun Manjunath
Social Media Content Creator
Friday, December 19, 7:00 P.M.
Arjun Manjunath is a 22-year-old social media content creator and event producer, and a recent graduate of the University of Pittsburgh. He got his start in social media creating content about his time as a Pitt cheerleader, studying abroad in Florence, Italy, and living in New York City while interning at TikTok headquarters.
He is the founder of the viral series Romanticize Pittsburgh, where he hosts creative community events and shares a fresh perspective on the city through his storytelling and videos. Originally not from Pittsburgh, Arjun has made it his mission to explore and highlight everything the city has to offer.
Before his work in social media, Arjun was a proud theatre kid and performed in several stage productions, including Legally Blonde: The Musical, Evita, Seussical, Annie, Newsies, and The Hunchback of Notre Dame, among others. He credits GVPAA, Garnet Valley High School’s theatre program, for sparking his lifelong love for the arts.
Daisy Jade & Perry Ninness
KDKA-TV “Pittsburgh Today Live” Reporter
& Administrative Officer at UBS
Saturday, December 20, 7:00 P.M.
Pittsburgh native Daisy Jade is a Film/TV Actress, TV Host and Producer. She is the Host and Co-Producer of Fan N’ATion, an award-winning and Emmy-nominated show on KDKA-TV/CBS Pittsburgh, highlighting Pittsburgh sports fans from all over the world. Daisy also reports for the city’s lifestyle and entertainment show, Pittsburgh Today Live. Fan N’ation won a Keystone Media Award for Best Regularly Scheduled News or Sports Talk Program in 2022 and has been nominated for a Mid-Atlantic Emmy.
She is a proud member of SAG-AFTRA and has appeared in numerous national and regional shows, commercials, and industrials since 1999. She is also involved with various film organizations in Pittsburgh, including Women in Film and Media Pittsburgh and the Pittsburgh Film Industry Association (PAFIA). Daisy graduated from the University of Pittsburgh with a Bachelor of Arts degree in Theater Arts and a Film Studies Certificate.
Perry Ninness is a Pittsburgh-based financial professional and community leader, currently serving as an Administrative Officer at UBS Financial Services. He also lends his expertise to neighborhood development as past President of the Board of the Mount Washington Community Development Corporation, helping guide projects that strengthen and uplift the community.
A graduate of Point Park University with a background in accounting, Perry is known for combining sharp financial insight with a genuine passion for civic engagement.
Sara Innamaroto
Allegheny County Executive
Sunday, December 21, 12:00 P.M.
Sara Innamorato was sworn in as the first woman to serve as the Allegheny County Executive on January 2, 2024. The Innamorato Administration’s guiding principle is to build a strong Allegheny County for All – one that serves all 1.3 million residents – built on a foundation of dignity and respect.
In June 2024, Innamorato announced ‘500 in 500,’ a signature initiative to move people from shelter into stable housing. On day 500 in October 2025, over 600 people had been housed, and more than 500 housing units had been identified.
Innamorato has also prioritized economic development initiatives by investing in business development, Mainstreet improvements, and leading the County’s comprehensive planning efforts.
Sara is a lifelong resident of Allegheny County, currently residing in Upper Lawrenceville. She is a graduate of North Hills High School and graduated from the University of Pittsburgh’s College of Business Administration.
Frzy
Musician
Sunday, December 21, 4:30 P.M.
Harvey “Frzy” Daniels is a 2018 Emmy Award winner for his collaboration with WQED on his hip-hop version of “Won’t You Be My Neighbor” and on November 1, 2023, simultaneously released his second and third albums titled Popularity and Success. Frzy is a member of the Recording Academy (which bestows the annual Grammy Awards) and is a Governor of the Board for the Philadelphia Chapter of the Recording Academy. The City of Pittsburgh was inspired to officially declare January 11, 2018, as “Frzy Day.’
Since then, Frzy has become a 2020 Guinness World Record holder for longest freestyle rap at 31 hours, the Smiley Face Cookie at Eat ‘N Park, and has had a mural created in his likeness by famous muralist, Jeremy Raymer. Frzy also serves on the Board of Directors of The Lindsay Theater, all this while being the face of Steve Madden’s “Self Made” Campaign. He has helped to raise more than one million dollars for charities and in May 2023 helped to increase diversity and inclusion awareness via the successful “Books to Bars” campaign with the Carnegie Library of Pittsburgh. He collaborated on a historic one-night concert with the Pittsburgh Symphony at Heinz Hall on November 8, 2023, which is the world premiere of an orchestration of the nationally known rapper’s new album, Success.
He was honored in City Paper’s People of the Year issue as Musician of the Year 2023 for “taking his craft to new audiences and new heights.” In Fall 2024 Frzy headlined at the epic America250PA national Convening of the States and Partners in Philadelphia, PA and was honored to lecture and perform at TEDxPittsburgh. Recently Frzyheadlined the Pittsburgh Cultural Trust’s First Night 2025 New Years Performance for 22,000 people. Frzy’s ( Got Milk ) Frzy Day campaign entitled “Milking It” teamed up with legendary Dairy Company “Turner’s Dairy” and The Pittsburgh Public School System to raise $2,500 for the Pittsburgh Community Food Bank to provide over 10,000 meals.
Chloe Lukasiak
Dance Moms
Tuesday, December 23, 7:00 P.M.
Chloe Lukasiak was born and raised in the Pittsburgh area and was an original cast member of the reality dance show “Dance Moms,” appearing in seasons 1-4 and the “Dance Moms Reunion Series” in 2024. Chloe is an award-winning dancer, actor, author, and activist who has inspired generations with her grace and charisma.
She is a best-selling author of “Girl on Pointe: Chloe’s Guide to Taking on the World” and has a strong social media following, with over 8.3 million followers on Instagram and 3.8 million on TikTok. Chloe has worked with top brands like Pantene, Cover Girl, and Victoria’s Secret Pink!, and continues to share her life with millions of followers online.
She has also served as a ‘Messenger of Peace’ for the United Nations. Chloe graduated from Pepperdine University last year and recently moved to New York City.
Kendall Vertes
Dance Moms
Friday, December 26, 7:00 P.M.
Kendall Vertes, one of the original Pittsburgh girls from the hit series DANCE MOMS is a talented dancer, singer, and creator. Kendall is known for her charismatic, relatable and down-to-earth personality on the show. As a competitive dancer she won the National Championship for JMU in 2024. She is launching her very own new show, “Not So Little” as an addition to Alex Cooper’s UNWELL Network.
Mary Ours
KDKA-TV Meteorologist
Saturday, December 27, 2:00 P.M.
Mary Ours is a KDKA-TV Meteorologist. Mary grew up about 45 minutes northwest of Pittsburgh in the small town of Beaver Falls, known as the hometown of Joe Namath. Mary went to high school there for three years before graduating from Lincoln Park Performing Arts Charter School in 2008 where she majored in musical theater.
She began her career in 2013 at WTOV9 in Steubenville, Ohio, where she was a reporter and weekend weather anchor then went to WJAC-TV as the weekday morning meteorologist in 2016.
Mary has always been interested in helping people ever since she was young, including starting her own event to help victims of 9/11 when she was 12 years old. In Mary’s spare time she loves to sing the national anthem at sporting events, binge watch TV shows, and most importantly spend time with her husband, children and her pomsky Jasper.
Lindsay Ward
Journalist
Saturday, December 27 at 7:00 p.m.
Lindsay Ward is an award-winning journalist, having worked as an anchor and reporter for almost 20 years. Her career has taken her to North Carolina, West Virginia, Central and Western Pennsylvania. Lindsay has been Emmy-nominated for her anchoring and
reporting multiple times and is the winner of two Keystone Media Awards for her “Feature Reporting.” She is also the recipient of Indiana University of Pennsylvania’s “2023 Young Alumni Achievement Award,” for her successful career in journalism. Lindsay is from Indiana County and graduated from IUP. She lives in Pittsburgh with her husband Tony and their two children, Sebastian and Aurora.
Dr. Holly Hatcher-Frazier
Dance Moms
Sunday, December 28 at 12:00 p.m.
Dr. Holly Hatcher-Frazier, best known as the “voice of reason” as an original cast member on the popular docuseries, Dance Moms. A doctoral graduate of the University of Pennsylvania’s Graduate School of Education, Dr. Hatcher-Frazier worked in education for more than 20 years, in various roles, including as a teacher, administrator and principal before joining the show. Dr. Hatcher-Frazier served as a positive role model both on and off the reality television show. Dr. Hatcher-Frazier enjoys new challenges and inspires others through public speaking and sharing her reflections as a podcast co-host. An avid traveler with an adventurous spirit, Dr. Hatcher-Frazier also enjoys giving back to her community and is honored to serve on the boards of City Theater and the Pittsburgh Film Office. Dr. Hatcher-Frazier is a proud member of Alpha Kappa Alpha Sorority, Incorporated where she enjoys working with other women who are passionate about service, leadership and scholarship. Her most fulfilling roles in life are those of wife and mother to three fabulous children.
Tommie Lin Kesten | Pointe Magazine Cover Star
Principal artist Tommie Lin Kesten was revealed today as the cover star of the November/December issue of Pointe Magazine.
“We are incredibly proud of Tommie Lin and the exceptional work she consistently produces,” said PBT artistic director Adam W. McKinney. “She has an incredible work ethic, superior dance skills and impeccable artistry. We are delighted to see her be acknowledged for her hard work and accomplishments.”
Tommie Lin Kesten’s Career at PBT
Kesten joined PBT as a member of the corps de ballet in 2018. She was promoted to soloist artist in 2020 and, in the spring of 2023, she was promoted to principal artist onstage by PBT artistic director Adam W. McKinney after her performance of “Aurora” in The Sleeping Beauty.
“Being on the cover of Pointe Magazine feels like something out of a dream,” said Tommie Lin Kesten. “I’m beyond grateful — for the art form that has shaped my life, and for the chance to dance, grow and share my heart every single day. It’s moments like this that make me stop and truly take it all in.”
Tommie Lin Kesten in The Nutcracker
Tommie Lin will portray the following roles on these dates and times.
– “Marie”: Dec. 7 @ 12 pm; Dec. 13 @ 7pm; Dec. 19 @ 7 pm; Dec. 23 @ 7pm
– “Sugar Plum Fairy”: Dec. 6 @ 2pm; Dec. 12 @ 7pm; Dec. 14 @ 4:30pm; Dec. 21 @ 12pm; Dec. 27 @ 2pm
– “Snow Queen”: Dec. 5 @ 7pm; Dec. 6 @ 7pm; Dec. 13 @ 2pm; Dec. 21 @ 4:30pm; Dec. 27 @ 7pm
Note: Casting is subject to change
Tommie Lin Kesten Pittsburgh Signing Events:
Tommie Lin Kesten will participate in Pointe Magazine cover signings in the Pittsburgh area over the next few weeks. Attendees are welcome to take photos with Tommie Lin and bring pointe shoes for her to sign. PBT will provide Pointe Magazine covers for her to sign. Follow our social media for updated details.
About Pointe Magazine
Pointe Magazine is the top ballet publication in the United States. Since 2000, Pointe Magazine has been an insider’s guide to all things ballet, with training and career advice, health and wellness tips and behind-the-scenes access to top companies and stars. The digital magazine has more than 56,000 monthly views, 69,000 newsletter subscribers and more than 557,000 social media followers.
Costume Director Kristin McClain on The Stories Woven into Dracula Costumes
Pittsburgh Ballet Theatre (PBT) will perform Michael Pink’s Dracula this Halloween weekend. Based on Bram Stoker’s classic Gothic horror story, the production is filled with romance, terror, and peril — all emotions both enforced and reflected in its costumes. Surrounded by dramatic fabrics, PBT’s Costume Director Kristin McLain highlights the stories woven throughout them.
This year, for Michael Pink’s Dracula, PBT rented costumes from Milwaukee Ballet. Along with the actual pieces, McLain and her team received a lookbook with various instructions, photos, and details regarding the production’s costumes; hair and make-up also have a reference sheet in this book. From information on how the costumes are worn to specific details about washing them, McLain and her team use this book as a guide. Explaining that this year’s package didn’t include a few wigs, she shares that the lookbook’s photos will help them recreate the original pieces to the best of their abilities.
Dracula
In PBT’s atrium, McLain holds up Dracula’s coat, illuminated from the light above so that its velvet texture and ombre colors stand out. Melting from a vibrant red into a deep maroon, the coat allows Dracula to blend into his dark surroundings, McLain explains. It is heavy, which gives Dracula a weighted presence but also limits his movement. McLain points to another dresser, where a flowy replica hangs. In one specific scene, Dracula makes a grand entrance with a lot of wind. The lighter, more silky fabric catches it and forces the coat to flutter dramatically behind Dracula. Unlike Dracula’s original cape, this one moves with little hesitation.
The Villagers
Next, McLain turns to a patterned skirt that belongs to one of the Villagers. Very full and heavy, the costume is made of various natural fabrics, such as cotton and linen. Almost as if pieced together, the skirt features beading, small mirrors, and embroidery. It is incredibly detailed. McLain explains that the vibrant colors read very intensely on stage, a reflection of Jonathan Harker’s severe warnings about Dracula.
Dracula’s Brides
McLain’s passion shines through with every piece that she chooses to highlight. Picking up a white, torn dress, she contextualizes its tattered fabric by describing one of the Bride characters who wears it —a woman who turns into a wild vampire. She points out a collection of coins on the waistband, threading a connection between the shiny artifacts and potential background stories. The individual elements, she says, make her wonder about the women- who were they before they were vampires? She speculates that they may have once been villagers themselves, given their costumes’ similar embellishments.
The Undead
The Undead’s costumes are McLain’s favorites; she describes them as “super-fun”. Ripped to shreds, the costumes reveal the artist’s hand and process. They also, despite seeming to be the same black color, reveal various purples, blues, browns, and greens under the stage lights. According to McLain, an inherent black color does not exist- it is the darkest version of another color. Enhanced by the fabric’s texture, this becomes apparent when on stage.
Renfield
Renfield’s straitjacket toward the end of Dracula is based on a historical design. “It is probably the most intense costume I’ve ever dealt with,” said McLain. There’s really no way to replicate being in a straitjacket, so they start rehearsing with it early in the process.
Tea Room Scene
This scene includes historical dresses, suits and vests from the late 1800s. The dresses are fashionable street clothes, with big skirts. A lot of the costumes are bright airy dress in light colors that signify a relaxing vacation. There is a lot of detail in these costumes, including lace, which indicated wealth during that era.
“I always sewed growing up,” McLain recalls. In addition to resonating with the idea that clothes are an extension of oneself, she finds that
“In ballet, there’s no dialogue, so you have to rely on the choreography, the emotion of the dance and how the dancer interprets the choreography, but then also the costume can tell you a lot about who they are in the narrative of the ballet.”
McLain shares that she appreciates distressed costumes because she knows what goes into making them —a fun, expressive process. It feels more organic to her to break something down after making it.
She finds that there is a lot of personal choice and storytelling within that, as “Pants are never just pants, a shirt is never just a shirt, it’s telling you something about the character.”
Experience these costumes in action and under the dramatic stage lights during Pittsburgh Ballet Theatre’s Dracula at the Benedum Center from October 31st – November 2nd.
Who is Dracula and What is it Like to Portray the Iconic Character?
The seductive Count Dracula makes his chilling return to the Benedum stage this Halloween weekend! Based on Bram Stoker’s classic horror story, Pittsburgh Ballet Theatre (PBT) is performing Michael Pink’s Dracula from October 31 – November 2, 2025. With Halloween quickly approaching, we spoke to PBT Principal Artist Lucius Kirst, who will portray Dracula on Saturday, November 1st at 2:00 p.m. Sharing exclusive insights into the thrilling production, he gives us a peek into the preparations for the spellbinding ballet.
What’s it like portraying Dracula?
It’s always fun to be the title character in any ballet, and he’s such an iconic character. The costumes are awesome for him as well which always makes roles feel cooler. I remember when we did the photo shoot and I first put on the red jacket, I was already excited to play him before having seen any of the choreography. Dracula is my first major role that would be deemed a villain, and he’s the ultimate villain to portray. He gets to kill and die onstage, there’s blood, fights and vampires— it’s a dream role.
How would you describe the character of Dracula?
He has the ultimate power (he thinks, at least), which is an unlimited amount of time. Obviously, he has other powers like his supernatural strength, his ability to turn people into vampires etc., but the unlimited amount of time is the most informative to dancing the role. He never has to hurry anywhere, since he has all the time in the world; everything is calm and smooth, and the choreography reflects that brilliantly. There’s an eerie, quiet power in his stillness. He’s a complex character, because the curse of unlimited time is that he inevitably loses everything he loves. He seems unable to learn from his pains of the past, and repeats the process by falling in love again with Mina.
What is it like to do more of a dramatic ballet?
There’s a lot of drama in many of the classic ballets, but this adaptation of Dracula centers around the drama of the story. There’s not just dancing for the sake of dancing, everything furthers the storytelling. It’s a more complex story to tell than a lot of the classical ballets, so there’s a heavier focus on the acting. Many of the scenes with less dancing and more acting and pantomime are actually much harder to learn, remember and rehearse than the dancing for me.
What is your favorite scene?
It’s a scene towards the end of the ballet in Act Three, when Dracula brings his bride-to-be, Mina, onstage with all the Undead. It’s the penultimate scene. Dracula thinks he’s gotten everything he wanted, and he simply walks around the stage with Mina. It sounds simple, but the music is a beautiful piece of choral music, the costume is amazing and there’s an intense energy onstage. It’s when I feel that Dracula is at his most powerful. You also know that all your hardest dancing is done, so you get to just enjoy the moment and soak it all in without any nerves or looming pressures.
What personality characteristics of Dracula are the most fun to portray? The least fun?
Honestly, they’re all pretty fun. He’s a great character to play, and the choreography facilitates that. There are a lot of aspects to his character that aren’t common in other ballets. Obviously, you can always bring something new to any role, but it’s such well-thought-out and thorough choreography that, almost just by doing the steps as they’re taught, you’re portraying a fully formed character.
Do you consider Dracula to be romantic or seductive?
I suppose he must be a little bit romantic. Some part of him is still human enough to remember what love is, since he falls in his version of love with Mina. I think he looks at most people primarily as a food source, however every once in a while, he comes across someone special. Perhaps they remind him of his first love. He has a certain power of seduction, it’s hard to say how much of that is magic and how much isn’t. In the real world, he has no magic, but his story has enraptured people for more than a century.
Dracula 2025 Casting Announced
The casting for Pittsburgh Ballet Theatre’s (PBT) Dracula has been announced! This Halloween weekend, from October 31 – November 2, 2025, PBT is performing Michael Pink’s Dracula at the Benedum Center. With its haunting special effects and dramatic choreography, Dracula is the perfect way to celebrate Halloween.
If you’re interested in seeing these artists on stage, buy your tickets now.
VIEW CASTING BELOW
PBT Artists as Dracula Characters
With rehearsals for Michael Pink’s captivating Dracula based on Bram Stoker’s classic horror underway, we asked our artists what characters from the ballet most resembled their personalities. We gave them a few options:
Dracula: Dark, Charming, Powerful, Vengeful
Mina: Pure, Resourceful, Sweet, Noble
Lucy: Vivacious, Innocent, Easily-Manipulated, Playful
Renfield: Impulsive, Indecisive, Formidable, Obsessive
Jonathan Harker: Naive, Curious, Strong-willed, Conscientious
Dr. Van Helsing: Knowledgeable, Open-Minded, a Leader, Courageous
Arthur: Virtuous, Secure, Heroic, Driven
Quincey: Brave, Good-hearted, Youthful, Brash
Curious to see what these personalities look like on the stage? Join the Pittsburgh Ballet Theatre at the Benedum Center from October 31st to November 2nd for a production filled with dramatic choreography, exquisite storytelling, opulent costumes, theatrical sets, a gripping score by Philip Feeney and haunting special effects that will keep you on the edge of your seat!
COLIN MCCASLIN (principal): DRACULA
GRACE ROOKSTOOL (principal): RENFIELD
DAVID O’MATZ (soloist): LUCY
JOANNA SCHMIDT (soloist): RENFIELD
DIANA YOHE (soloist): MINA
JONATHAN BREIGHT (corps de ballet): QUINCEY
ERIN CASALE (corps de ballet): RENFIELD
ARIANA CHERNYSHEV (corps de ballet): JONATHAN HARKER
ETHAN CLARISEY (corps de ballet): MINA
CHRISTIAN GARCÍA CAMPOS (corps de ballet): DRACULA
MADELINE GRADLE (corps de ballet): ARTHUR
MATTHEW GRIFFIN (corps de ballet): DR. VAN HELSING
JACK HAWN (corps de ballet): JONATHAN HARKER
ABIGAIL HUANG (corps de ballet): DR.VAN HELSING
CAITLYN MENDICINO (corps de ballet): ARTHUR
MADISON RUSSO (corps de ballet): ARTHUR
KURTIS SPROWLS (corps de ballet): QUINCEY
ANYA CHIU (apprentice): RENFIELD
AMELIA MCGRAVEY (apprentice): JONATHAN HARKER
ISAK SORENSON (apprentice): JONATHAN HARKER
PBT Artists’ Summer Vacations!
Each year during June and July, PBT Company artists have a well-deserved summer break before the new season begins. Some of the PBT artists shared the different ways they spent their breaks outside of the PBT studios during the summer of 2025!
Join us for our upcoming 2025-26 Season beginning in October. The schedule includes:
Dracula, October 31-November 2, 2025, Benedum Center
The Nutcracker, December 5-28, 2025, Benedum Center
America 250 with the PBT Orchestra, February 20-22, 2026, Benedum Center
Spring Mix, April 10-12, 2026, August Wilson African American Cultural Center
A Midsummer Night’s Dream with the PBT Orchestra, May 15-17, 2026, Benedum Center
Christian García Campos
PBT Corps de Ballet
With JoAnna Schmidt (PBT Soloist)
“My favorite highlight of this summer was traveling and exploring Croatia with one of my best friends and coworkers, JoAnna Schmidt, what an incredible trip from the views, to the food, to the company!”
Jack Hawn
Corps de Ballet
With JoAnna Schmidt (PBT Soloist)
“I participated in the Pittsburgh Dance Workshop, which had its inaugural performance this summer. Joanna Schmidt (PBT Soloist) choreographed the work that she and I performed in the show.”
Photos by Gretchen Hurd
David O’Matz
PBT Soloist
“My favorite activity of this summer was traveling to the Bay Area and dancing at Julia Adam Dance with my colleagues. There, we performed a contemporary version of George Orwell’s Animal Farm choreographed by Julia and Oliver Halkowitch.”
Grace Rookstool
PBT Principal
With Ariana Chernyshev (PBT Corps de Ballet)
“Ariana and I traveled through France for the first time together! This trip was so special in so many ways, we’re already planning next summer’s adventure.”
JoAnna Schmidt
PBT Soloist
“The first week after the season ended, I was honored to have 9 PBT company dancers perform with me in my choreography for William Moore’s Cre8 Dance Competition! It was a fun and fulfilling experience!”
Kurtis Sprowls
PBT Corps de Ballet
“I participated in JoAnna Schmidt’s work for the Cre8dance show in Pittsburgh in June, then traveled to California to dance with Julia Adam Dance, along with my colleagues Hannah Carter, Lucius Kirst and David O’Matz.”
Diana Yohe
PBT Soloist
“My husband Joe and I spent the summer ‘nesting’ and preparing our home for the arrival of our little one. It truly has already taken a village of our family and friends and has made us realize how very blessed we are with the people who surround us!”
Ballet Under the Stars 2025 Casting Announced
The casting for Pittsburgh Ballet Theatre’s annual Ballet Under the Stars performance at Hartwood Acres has been announced! PBT will be performing at Hartwood Acres on Sunday, August 24 at 7:30 p.m. as part of Allegheny County’s 2025 Summer Concert Series. The outdoor performance is free to attend and open to the community. Register for free before attending for a chance to win a 5-ballet subscription to the 2025-2026 season.
Attendees are invited to arrive early to enjoy picnics, food trucks and free kids’ stations, including grab-and-go crafts, face painting, balloon art and a dance class led by PBT team members.
From 5:30 to 7:30 p.m., PBT will host a pre-show Picnic in the Park. Join fellow ballet enthusiasts and PBT’s artistic director, Adam W. McKinney under the tent for drinks, dinner and the opportunity to meet PBT artists. Tickets are $100 for adults and $25 for children. Register online or call Associate Director of Development Aziza El Feil at 412-454-9127 for more information.
As the sun sets, PBT will present a mixed repertory performance featuring classical and contemporary works.
Emeralds Pas de Deux
Choreography by George Balanchine | © The George Balanchine Trust
Artists: Grace Rookstool and Lucius Kirst
The Mighty Casey Excerpt
Choreography by Lisa de Ribere
Pitcher: Josiah Kauffman
Casey: Jack Hawn
Artists: Emry Amoky, Jonathan Breight, Ethan Clarisey, André Gallon, Matthew Griffin, Isak Sorenson, Kurtis Sprowls and Michael Stadherr
Stars and Stripes Pas de Deux
Choreography by George Balanchine | © The George Balanchine Trust
Artists: Tommie Lin Kesten and Colin McCaslin
Three Preludes Excerpt
Choreography by Ben Stevenson
Artists: Hannah Carter and Lucius Kirst
Angels in the Architecture Excerpt
Choreography by Mark Godden
Artists: Emry Amoky, Magnoly Batista, Ariana Chernyshev, André Gallon, Madeline Gradle, Jack Hawn, Abigail Huang, Josiah Kauffman, David O’Matz, Madison Russo, JoAnna Schmidt and Kurtis Sprowls
Emeralds Pas de Deux
Choreography by George Balanchine | © The George Balanchine Trust
Artists: Hannah Carter and Colin McCaslin
Emeralds Pas de Trois
Choreography by George Balanchine | © The George Balanchine Trust
Artists: Tommie Lin Kesten, Josiah Kauffman and JoAnna Schmidt
Dracula Vignette
Choreography by Matthew Griffin (PBT Artist)
Dracula: Isak Sorenson
Brides: Anya Chiu, Amelia McGravey, Grace Rookstool
Finale
Choreography by Madison Russo (PBT Artist)
Artists: Emry Amoky, Magnoly Batista, Jonathan Breight, Erin Casale, Ethan Clarisey, André Gallon, Christian García Campos, Madeline Gradle, Jack Hawn, Abigail Huang, Kurtis Sprowls, and Michael Stadherr
Photos: Aviana Adams, Michael Henninger & Justin Merriman